After the decline of the Edo/Meiji period of
Ukiyo-e woodblock prints, there came the inevitable revival in the early 20th century. This became the known as the
Shin-Hanga (new print) period which flourished from 1915-1942, resuming briefly after WWII. They were designed to appeal to Western tastes giving a nostalgic, romanticised view of japan. And so, they were primarily exported overseas, never finding much fame at home. However, Shin-Hanga became immensely popular in America, so much so that there were two major exhibitions in the 30s.
What I like most about them is the warmer colour palates and how they're just less stuffy than Edo period prints. Not to say that
Hokusai and
Hiroshige prints aren't absolutely beautiful or that I don't love classic Japanese prints, but there's just something about Shin-Hanga that's just softer and hard to describe ― as lame as that sounds.
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